— Esmeralda Bermudez (@LATBermudez) January 20, 2020. — Tina Vasquez (@TheTinaVasquez) January 21, 2020, Late last year, author Myriam Gurba wrote a piece where she called out Cummins for claiming whiteness in a New York Times op-ed about four years ago. The novel American Dirt by Jeanine Cummins, which describes the plight of refugees in Mexico, has come under attack primarily because its author is not Latina. And how that's directly related to actual latinas who aren't white and don't get the book deals and movie contracts. Why Do Latinx Activists Pretend She Doesn't Exist? The book has a white jacket cover featuring blue birds, reminiscent of traditional Mexican Talavera tiles surrounded by barbed wire. From social media hashtags  to almost daily news […]. Yesterday, the public radio show "Latino USA" aired an interview its longtime host Maria Hinojosa (make sure you pronounce her last name right, by hissing like cat on that H, otherwise you're obviously a sellout) … At the end of 2019, newsrooms across the United States were sent a book for review: American Dirt by Jeanine Cummins. By invoking monsters with English names and European lineages, Cummins reveals the color of her intended audience: white. The novel is also a perfectly adequate and suspenseful romance thriller. This all because Jeanine Cummins is not Latina – she is a white woman from New York. Her mother, Kay, was a nurse. This US Latina Author Got a $6 million Advance. I wrote about what it's like to be a Chicana high school teacher in a Brown and Black city under Trump. Yes, the publishing industry will throw shit tons of money at a white woman who has rebranded as Latinx to capitalize off of other white people waking up to the atrocities in our immigration system and at our border. It has been praised by critics (mostly white) and others in the literary field as “ a breakout hit of the year ” and was just announced as the next selection for Oprah’s Book Club. Born in Spain and raised in a working-class family in Maryland, Cummins is not a Mexican national. I see no part of myself reflected in #AmericanDirt, a book white critics are hailing as the great immigrant novel. Even if she was completely Puerto Rican, would a Puerto Rican be any more an insider about issues faced by Latino immigrants than any other US American? También de este lado hay sueños. Learn how your comment data is processed. My family fled El Salvador with death pounding on our door. ABOUT; BOOKS; EVENTS; NEWS; BOOK GROUPS; CONTACT; A NOTE FROM JEANINE “Masterful” SANDRA CISNEROS “It’s been a long time since I turned pages as fast as I did with American Dirt” JOHN GRISHAM “Both a moral compass and a riveting read” ANN PATCHETT #1 New York Times … Visited Puerto Rico, The Declaration of Independence: The Full Text in English.... and Spanish, For Puerto Rican Statehood, It’s Now or Never: So It’s Never? Kid lit, MG, YA, Adult they all count! #indie #latinx #big5 #writeLGBTQ pic.twitter.com/E5uN5R4co2, — Natalia Martinez ️‍ (@NataliaDeJesusM) January 19, 2020. They want our stories, our food, our culture, and our languages, but they don't want us.https://t.co/8F5V6GbMn3, — Obed Manuel (@obedmanuel) January 21, 2020, Thread on #AmericanDirt fr a reader/ journalist who's scurried different parts of th migrant trail for 30 years. suddenly made herself latina ahead of her new book. This "American Dirt" porquería reeks of discursive & material colonization. Please listen to us when we tell you, this book isn’t it. Another part off the problem will be that too many US Americans think of latino as being a race and not a broad cultural grouping. American Dirt was quick to become a bestseller, but Cummins’ book tour was cancelled shortly after sparks were ignited. For her part, Baldwin has over the years garnered favorable magazine appearances in which she is … The novel traces a Mexican mother and son's journey to the US. For many, claiming that “someone lightly browner” should write it erases the work of many Latino authors who have written extensively about immigration, and overlooks the publishing industry’s bias against POC authors. Many of you will have seen the conversations around American Dirt by Jeanine Cummins, a novel about a Mexican woman fleeing into the US with her son. In the resulting two-part Apple TV+ special, three Latina writers joined Cummins onstage. Our stories are told through someone else's perception. Author Jeanine Cummins’ book American Dirt tells the story of a Mexican mother and son fleeing Mexico. — aléxandros! Jeanine Cummins’ new novel about immigration and cartel violence has sparked controversy. Arizona author Diana Gabaldon, daring to be a Latina writer without flowers on her head. In the center of the page is a blurb from author Don Winslow. We fear his very distant cousin, el cucuy.”, Others are saying the book content itself doesn’t reflect them or their views, and that this is an example of how, “They want our stories, our food, our culture, and our language, but they don’t want us.”. American Dirt’s author, Jeanine Cummins, identifies herself as white and Latina. In 1993 Cummins was a finalist in the Rose of Tralee festival, an international event that is celebrated among Irish communities all over the world; at each festival in Tralee, Ireland, a woman is crowned the Rose. Let them earn the seven-figure advances. As a Mexican immigrant, who was undocumented, I can say with authority that this book is a harmful, stereotypical, damaging representation of our experiences. Jeanine Cummins, author of the novel American Dirt, has a Puerto Rican grandmother. White novelists have always borrowed the voices and experiences of others to tell stories that they don’t have the access and insight to accurately tell. Pls Retweet to reach more authors! The new novel American Dirt by Jeanine Cummins, officially released on January 21, was anointed the biggest book of the season well before it came out. Following exploitation of our stories with the release of American Dirt and the calls for reform of the publishing industry by #DignidadLiteraria, I had hoped to spend a […]. The criticism of the book is varied, but much of it centers on the question of why author Jeanine Cummins, who is a white-identified Latina with a Puerto Rican grandmother, wrote a sensationalized story about a Mexican family. 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